Opus 45: Performing Arts Center, Emory University – Atlanta, GA (2005)

Hauptwerk (58 keys, 1332 pipes)

• Præstant 16’ (58 pipes, 80% tin in façade)
• Bourdon 16’ (30 pipes of wood, 28 of lead)
• Prinzipal 8’ (58 pipes of 80% tin)
• Querflöte 8’ (46 pipes of 26% tin (harm 31-58), 12 of open wood)
• Rohrflöte 8’ (18 pipes of wood, 40 of lead)
• Viola da gamba 8’ (58 pipes of 50 % tin)
• Oktave 4’ (58 pipes of 26% tin)
• Spillpfeife 4’ (58 pipes of lead)
• Naßat 2⅔’ (58 pipes of 26% tin)
• Superoktave 2’ (58 pipes of 26% tin)
• II Großmixtur 2⅔’ (116 pipes of 26% tin)
• IV-VI Mixtur 1⅓’ (312 pipes of 26% tin)
• V Cornet 8’ (150 pipes of 50% tin (c25-f54))
• Trompete 16’ (58 pipes with 26% tin resonators, all full-length)
• Trompete 8’ (58 pipes with 26% tin resonators)
• Clarin 4’ (58 pipes with 26% tin resonators)

Oberwerk (58 keys, 958 pipes)

• Præstant 8’ (58 pipes, 80% tin in façade)
• Gedackt 8’ (12 pipes of wood, 46 of lead)
• Quintadena 8’ (12 pipes from Oberwerk Gedackt, 46 of 26% tin)
• Oktave 4’ (58 pipes of 26% tin)
• Rohrflöte 4’ (58 pipes of lead)
• Naßat 2⅔’ (58 pipes of lead)
• Oktave 2’ (58 pipes of lead)
• Waldflöte 2’ (58 pipes of lead)
• Terz 1⅗’ (58 pipes of lead)
• IV-V Scharff 1⅓’ (274 pipes of 26% tin)
• Dulzian 16’ (58 pipes with 26% tin resonators)
• Trompete 8’ (58 pipes with 26% tin resonators)
• Krummhorn 8’ (58 pipes with 26% tin resonators)

Récit Expressif (58 keys, 907 pipes)

• Bourdon 16’ (12 pipes of wood; 34 of lead; 12 from Hauptwerk Bourdon)
• Viole de gambe 8’ (58 pipes of 50% tin)
• Flûte traversière 8’ (12 open pipes of wood; 46 of 26% tin)
• Voix céleste 8’ (49 pipes of 50% tin (from a10))
• Prestant 4’ (58 pipes of 50% tin)
• Flûte octaviante 4’ (58 pipes of 50% tin (harmonic from c25))
• Octavin 2’ (58 pipes of 50% tin (harmonic from f#19))
• IV Fourniture 2’ (232 pipes of 50% tin)
• Bombarde 16’ (58 pipes with 50% tin resonators, all full-length)
• Trompette harmonique 8’ (58 pipes with 50% tin resonators (harm. from c25))
• Hautbois 8’ (58 pipes with 26% tin resonators)
• Voix humaine 8’ (58 pipes with lead resonators)
• Clairon harmonique 4’ (58 pipes with 50% tin resonators (harm.from f#19))

Pedal (30 keys, 408 pipes)

• Untersatz 32’ (30 pipes of wood)
• Præstant 16’ (24 pipes (1-6 from Hauptwerk Præstant) of 80% tin in façade)
• Violonbaß 16’ (24 pipes of wood; 6 of 50% tin)
• Gedacktbaß 16’ (18 pipes from Pedal Untersatz; 12 more of wood)
• Oktave 8’ (30 pipes of 26% tin)
• Bourdon 8’ (30 pipes of 50% tin)
• Choralbaß 4’ (30 pipes of 26% tin)
• IV Mixtur 2⅔’ (120 pipes of 26% tin)
• Contraposaune 32’ (30 pipes with 50% tin resonators)
• Posaunenbaß 16’ (18 pipes from Contraposaune; 12 with 26% tin resonators)
• Bombarde 16’ (30 pipes with 50% tin resonators)
• Trompette 8’ (30 pipes with 50% tin resonators)

Couplers

• Hauptwerk to Pedal
• Oberwerk to Pedal
• Récit to Pedal
• Oberwerk to Hauptwerk
• Récit to Hauptwerk
• Récit to Oberwerk

Accessories and Details of Construction

• Adjustable (by crank) bench with removable back rest, if desired
• Suspended key action
• Electric stop action with 64 memory levels, 6 pistons/division, 4 sequencer pistons,
• 12 generals, tutti, general cancel
• Highly decorative and carved keydesk parts
• Bone naturals and grenadilla sharps
• Two tremulants
• Glocken
• Vogelgesang
• Hand-carved pipe shades
• Divisional wind stabilizers – on/off
• Flat/parallel pedal keyboard
• Lights for pedal keyboard, keydesk, and interior-of-case service
• Space allowed for remote monitor (screen) at console
• Mechanically operated swell shutters for Récit expressif division
• Solid wood cabinets
• Well-tempered tuning system (temperament)
• Cut-to-length treble open metal pipes – cone tuning
• Soldered-on domed caps for Bourdon and Gedackt metal pipes
• The three inter-manual couplers will each have both mechanical (draw knobs) and electrical coupling (coupler assist draw knob) actions.
• Total number of pipes in the organ: 3605 pipes