Great (II) 61 keys, * denotes expressive enclosure
- Contra Gambe 16’ (12 pipes from Pedal Bourdon, 49 of 50% tin, tapered)
- Open Diapason 8’ (61 pipes of 50% tin)**
- Concert Flute 8’ (12 pipes from Great Open Diapason, 49 of 50% tin; f#31-c61 are harmonic)
- Salicional 8’ (61 pipes of 50% tin)*,**
- Vox Celeste (t.c.) 8’ (49 pipes of 50% tin)*
- Stopped Diapason 8’ (12 pipes of wood, 49 of 15% tin)*
- Octave 4’ (61 pipes of 50% tin)
- Fugara 4’ (61 pipes of 50% tin)*,**
- Italian Principal 2’ (61 pipes of 50% tin)*
- Tromba 8’ (61 pipes with 50% tin resonators)*
Swell (I) 61 keys, Expressive
- Viola Diapason 8’ (4 pipes from Rohr Flute, 57 of 50% tin)
- Rohr Flute 8’ (16 pipes of wood, 45 of 15% tin)
- Melodia 8’ (16 pipes from Rohr Flute, 33 of wood, 12 of 15%)
- Viola Octave 4’ (61 pipes of 50% tin)
- Flauto Traverso 4’ (61 pipes of 50% tin; f#19-c61 are harmonic)
- Nazard 3’ (61 pipes of 50% tin, tapered)
- Mixture III 2’ (183 pipes of 50% tin)
- Fagotto 16’ (61 pipes with 50% tin resonators)
- Oboe 8’ (61 pipes with 50% tin resonators)
Pedal (32 keys), ** denotes “either/or” only, not both at the same time (unless coupled)
- Open Diapason 16’ (32 pipes of wood)
- Bourdon 16’ (32 pipes of wood)
- Open Diapason 8’ (32 pipes from Great)*,**
- Salicional 8’ (32 pipes from Great)*,**
- Fugara 4’ (32 pipes from Great)*,**
- Tromba 8’ (32 pipes from Great)*
Couplers (mechanical):
- Great to Pedal
- Swell to Pedal
- Great to Great 4’
- Great to Pedal 4’
- Swell to Great
Mechanical (suspended) key action; electric stop action